Is timing in tempo-specific? An online internet experiment on perceptual invariance of timing in music
نویسنده
چکیده
..................................................................................................................................................................3 INTRODUCTION ........................................................................................................................................................4 EXPERIMENT 1 ..........................................................................................................................................................6 METHOD .....................................................................................................................................................................8 Participants...........................................................................................................................................................8 Equipment, internet support and audio file formats............................................................................................8 Materials and stimulus preparation.....................................................................................................................9 Procedure............................................................................................................................................................10 Analysis ...............................................................................................................................................................11 RESULTS AND DISCUSSION ......................................................................................................................................11 Evaluation of the experiment by the respondents..............................................................................................11 Comparison and preference task .......................................................................................................................11 Qualitative responses (motivation) ....................................................................................................................13 EXPERIMENT 2 ........................................................................................................................................................15 METHOD....................................................................................................................................................................15 Participants.........................................................................................................................................................15 Equipment ...........................................................................................................................................................16 Materials and stimulus preparation...................................................................................................................16 Procedure............................................................................................................................................................17 Analysis ...............................................................................................................................................................17 RESULTS ...................................................................................................................................................................18 Evaluation of the experiment by the respondents..............................................................................................18 Classical results..................................................................................................................................................18 Jazz results ..........................................................................................................................................................19 GENERAL DISCUSSION.........................................................................................................................................20 ACKNOWLEDGMENTS .........................................................................................................................................24 REFERENCES ...........................................................................................................................................................24 TABLES.......................................................................................................................................................................28 FIGURE CAPTIONS.................................................................................................................................................37 FIGURES.....................................................................................................................................................................38 FOOTNOTES..............................................................................................................................................................43 Is timing is tempo-specific? 3/43
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Evidence for tempo-specific timing in music using a web-based experimental setup.
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